News of the day (week? month?) – I’ve found a new book to obsess over.
This review was supposed to be written the way all my other reviews are written – a day or two after I finish the book. This time, it’s been around two weeks since I finished reading, but I kept putting off writing this review, probably because I needed time to recover, to mend from the emotional wreck this beautifully written novel made of me. The healing is still in process, but I can’t let that stop me from screaming about this amazing read to you guys! (it’s less of a review and more of a call-out: come suffer with me)
Title: We Are Not Free
Author: Traci Chee
Genre: Young Adult Historical Fiction
“All around me, my friends are talking, joking, laughing. Outside is the camp, the barbed wire, the guard towers, the city, the country that hates us.
We are not free.
But we are not alone.”
We Are Not Free, is the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II.
Fourteen teens who have grown up together in Japantown, San Francisco.
Fourteen teens who form a community and a family, as interconnected as they are conflicted.
Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps.
In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.
We Are Not Free is a historical fiction set during World War II in America. The story begins just after the bombing of the Pearl Harbour by the Japanese airforce, following which there is hatred and racism against the people of Japanese ancestry living in America. Anti-Japanese sentiments are at an all time high, and this leads to the creation of the policy that people of Japanese descent, including U.S. citizens, would be incarcerated in isolated camps, for no fault of theirs except for looking the way they do.
The most, though not the only, exceptional thing about this story was the execution. Sure, a lot of us know the history, some more than others. But it takes amazing masterful ability to weave history, to narrate it, without subtracting the brutalities and complexities, in a way that has a lasting impact on the reader, and Chee did just that.
“Is this what life is like? People coming together and drifting apart, coming together and drifting apart, over and over until there’s no one left?”
The book is narrated by a group of fourteen young Nisei (second-generation Japanese American citizens) who are among the thousands uprooted from their homes and placed in incarceration camps because of their Japanese ancestry.
When I heard that there were 14 POVs, I was naturally intimidated, but I realize now that needn’t have been. We get one chapter from each character’s point-of-view, some longer than others, but each more heartfelt than the last. All our 14 main characters are Japanese-American youngsters – the youngest being Minnow who is 14 and the eldest being Mas, 22. When I’d just begun reading the book, I was sure I’d have a hard time keeping up with all the povs, but boy was I wrong. 14 POVs made it a whole lot easier to connect with the characters, to see life through their eyes.
Each chapter, each POV was unique in its own way, and this brought out the individuality of each of the characters in a beautiful manner. Every character reacts in his/her own way to this drastic change in their lives – some choosing to be optimists, while others resorting to violence – and this was portrayed beautifully by their respective POVs. Sure, all 14 of them are a tight-knit community (whose friendship is just 🥺), but each has their own aspirations and conflicts. No two chapters were written in the same style, and rightly so, for each had to depict a different personality – and I can only imagine the effort this might have taken the author to accomplish. Traci Chee has my utmost respect.
This was one of those books that progressively get better as they go, with each chapter better than the previous ones (I have a sneaking suspicion Chee was saving the best ones for the end). Speaking of which. Those last few chapters were not written in words, they were emotions – pure, raw emotions scrawled on the pages. If I got teary eyed though the middle of the story, I was full on bawling towards the end.
Such powerful and heavy topics are dealt with in this novel, albeit in a way that doesn’t make them seem out-of-reach or too much to grasp, instead it made all the prejudices, racial discrimination, violence against the Japanese feel real. I as the reader flinched every time one of our characters was a victim to the atrocities, verbal or physical, of narrow minded people — from when Minnow got jumped by a gang of American teens to when a man refused to sell Yuki icecream because she was Japanese, to countless other racist actions that take place throughout the story.
The story’s meaningful and heart-wrenching take on discrimination is something that I am not likely to forget soon, and I’m grateful that books like these exist to give today’s generation a brutal reminder of the mistakes made by humanity in the past, which continue to have consequences in the present.
“We’re standing on a street corner with everything we’ve ever known about to come crashing down around us.
And we’re angry.
And we’re smiling.
And we aren’t broken.”
Overall, We Are Not Free was hopeful, heartbreaking and devastating all at once. I’d highly recommend this to all of you, especially to fans of The Outsiders, The Book Thief and The Boy In The Striped Pyjamas.
Have you read We Are Not Free? What did you think (aka did it break you?) Which is your favourite war novel? Let me know in the comments!